I told you it was a beautiful, simple song! I also like to add octaves in the bass for the chorus to help build it up, but you can do whatever you like. The chords are IDENTICAL - although I do play them in different inversions for the chorus. The melody is really the only thing that changes throughout the song from verse to chorus. Again, these chord shapes keep the melody note on TOP, which is what you want, because your ear naturally hears the top note as the melody. Then you just resolve to the C, also in root position. The next chord is a straight G chord, which I like to play in root position, so the notes are G – B – D. See realtime chords on guitar, piano and ukulele as you are listening the song. And just a simple B note in the left.Įasy! If you don’t like that B in the bass, you can also play a G - it sounds fine. Interactive chords for Billie Eilish - Ocean Eyes. See the G chord in the right? The notes are D – G – B. I like to use the 2nd inversion for the G chord. It’s called a “ slash chord” and it just means you play a G chord in the Right Hand with a B note in the bass. And at the end of every similar sequence, you’ll see a G/B – G – C progression. There’s just one more thing to cover… A Sneaky G Chord raised in Lyon by his mother and grandparents and trained on the piano. This contrary motion sounds really nice and it’s also a great way to practice your hand independence!Īnd you know what? After learning that FIRST MEASURE - you’ve learned 95% of the song. Jean-Michel Andr Jarre is a French composer, performer and record producer. You can also just play single notes if you like.Īs you do that, you’ll notice that your Left Hand is playing UP the keyboard, while your Right Hand is playing DOWN. Virtual piano is fast becoming a form of expression and communication between. In the Left Hand, play the root and 5th of each chord. Youd look at his face, in his eyes for some sign of regret, but instead. And then for the Em chord just play that in root position – E – G – B.īy playing the chords this way you’ll be keeping the melody note on top of every chord, which is what we want.
Then play the D chord in 1st inversion, so the notes will be F# – A – D.
What I recommend is playing the C major chord in 2nd inversion. The lead sheet shows the melody with the chords written above, so it’s up to you to fill in the rest. There’s only F# to worry about, and every chord you see should be familiar. Looking at the key signature we can see that this is in the key of G major (or E natural minor if you prefer).
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